![]() ![]() From this balance comes his new artistic approach. In the early 2000s, stencils were introduced into his artistic work, an evolution that brought him closer to a simplified but more effective aesthetic that, according to him, could bridge the gap between the passion and spontaneity of graffiti on the one hand and the fragility and transience of nature on the other. Martin Whatson is also very sensitive to the processes of deconstruction carried out by Jose Parla and Cy Twombly. At that time, there was zero tolerance by the government and police, so it was difficult to create walls without taking risks.Īrchitecture is for him a constant inspiration, the evolution and deconstruction of cities fascinates him. Growing up in the city of Oslo, Norway, Martin was an important part of the emerging local graffiti scene in the early 1990s. Martin Whatson's pictorial world is filled with anomalies and contradictions that require the viewer to linger over the work. The artist considers his works as a reflection of the rise and fall of the city streets, in his creations he symbolically recreates the urban environment, then personalizes it in his own way. His style is unique and recognizable, Martin has developed an aesthetic that combines figurative stencil compositions and abstract movements. It is in Oslo that the artist made his weapons, he studied art and graphic design within the school of communication Westerdals.įor more than ten years, Martin Whatson has been collaborating with some of the biggest names in his field and has managed to make himself known and appreciated by important collectors all over the world. Today he is considered one of the key players in contemporary urban art, more commonly known as street art. His brother Sir Norman Watson, Baronet, (1897 - 1989), provided funding for the early development of Lake Louise, a ski resort in Alberta, Canada.Martin Whatson was born in Norway in 1984. Watson's sister, Florence Nagle, was a race horse breeder and trainer. Fowler inherited the bulk of Watson's estate and died 14 years later in the West Indies he was also found drowned in his bathtub. Some have suggested that he was murdered by his young American lover, Norman Fowler (– March 23, 1971). Watson was found drowned in his bath on at his home in Knightsbridge, London. almost everyone appears to have liked him." One of Watson's lovers was the American male prostitute and socialite Denham Fouts, whom he continued to support even after they separated as a result of Fouts's drug addiction He added "When I think of him then, I think of his clothes, which were beautiful, his general neatness and cleanness, which seemed almost those of a handsome young Bostonian." įisher writes that Peter Watson "was a figure of striking attractiveness women in particular seem to have found his manners irresistible. Spender recalled to Connolly's biographer, Clive Fisher, that Watson hated "priggishness, pomposity and almost everything to do with public life," and he suspected that he had educated himself "through a love of beautiful works and of people in whom he saw beauty. He persuaded Picasso's dealer, Daniel Kahnweiler, to comment on the contemporary art market and he also got Michel Leiris to write about Giacometti. Watson commissioned articles on artists barely known at the time in England, such as Balthus, Morandi and Klee. He rarely contributed articles, but gave many opportunities for his friends to have their pictures reproduced in the magazine, and also encouraged Horizon to look beyond British Art, particularly to Paris. Watson was art editor for the magazine between 19. Stephen Spender was also involved with the magazine initially. In 1940, Watson provided funding for Cyril Connolly's Horizon and became its arts editor. One chapter from Hugo Vickers' authorized biography of Cecil Beaton is titled "I Love You, Mr. ![]() In 1930, society photographer, artist and set designer Sir Cecil Beaton began a lifelong obsession with Watson, though the two never became lovers. He was the principal benefactor of the Institute of Contemporary Arts in London and also provided financial assistance to English and Irish painters including Francis Bacon, Lucian Freud and John Craxton. ![]() Watson was an avid art collector acquiring works by such artists as Miró, Klee, and Pablo Picasso, which were displayed in his Paris apartment in the 1930s. He was educated at Lockers Park School, Eton College and St John's College, Oxford. Watson was the son of William George Watson, later Sir George Watson, 1st Baronet, and was the youngest of three children-his brother Norman was born in 1897 and sister Florence in 1894. He funded the literary magazine, Horizon, edited by Cyril Connolly. Victor William (Peter) Watson (14 September 1908 – ) was a wealthy English art collector and benefactor. English art collector and arts benefactor ![]()
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